It is almost unimpossible to either over, under or accurately overestimate the unimportance or otherwise of 'The X-Factor'. If we have a scale from say -6 to 18, you might say "Oh, it's definitely a 21!" or "Pah, it's a -2 if it's lucky" or "I don't watch the motherfucker, get out of my way or I'll tear you a new one." Either, neither or threether* way you might be better off sticking a kazoo up your arse and farting 'Jerusalem'. I'd pay to see that.
There was a song that banged on about karaoke being easy on a Saturday night but don't get carried away and think you're a star because it aint so easy in front of the cameras and even if you do really well there are always people ready to knock you down back where you came from. This is about karaoke, local karaoke. I've never been to a big karaoke bar and have no desire to either - I expect it's busy and difficult to get served and the toilets are crowded - I prefer The Railway. Take Friday night:
You get there at eight and the guys who were drinking at lunchtime and got comfy, are in front of the fire - the music will be a cue for them to wander home. M.C. Pete is setting up the P.A. alone - his 'roadie' Daniel having got in with a rum crowd and gone off the rails. Daniel wasn't the same after the death of his idol Michael Jackson. He'd get a two song slot where a sparkly glove would appear from the back pocket like that of a very camp golfer - he was good but never did enough "HeeeHeee"s for the baying audience, who had to fill in for him. Pete warms everyone up with 'Pretty Woman' as the little tickets are passed around and songs chosen. "Mercy"
9:00 sharp: 'We're Walking In The Air'. Up steps Muriel. Muriel and Clive are the backbone, fulcrum, crux some say scaffolding on which the night is built. They are always there, even following Peter around the entire North Norfolk area to oke their karas. You may remember this song from a popular Christmas cartoon 'The Snowman' but here Muriel transports us back to the days of Warhol's factory and Nico is on 'vox'.
An Irish guy in the pool-playing area is asking any cowardly Englishmen if they'd like to go outside and discuss various historical differences at this point. He was nice as pie eight hours ago when he started drinking, amazing what comes over people. He is ejected noisily by governor Dave [five years in charge, ladies and gentlemen].
9:25: 'Funky Moped'. Clive's turn and much like Muriel's transformation this is now Leonard Cohen doing Jasper Carrot. Clive is so much more than a voice - he's a shake of the head from side-to-side like a pill-popping David Gray, a tiger pattern t-shirt and just the one note. It still works and if you think about it, an almost unstoppable plan. We love Clive and Muriel.
10:00: 'Runaway'. Norm [for it is his name] sometimes comes in straight from the fields mid-harvest [or whatever it is that farmers do all the time], orders and downs a pint of Guinness® in one or two gulps, strides to the stage and belts out his favourite tune. Everybody loves Norm. Norm, we love him. Tonight he will stick around for a duet with Muriel, 'Johnny Remember Me' and knock them bandy.
10:30: 'Rebel Rebel'. Norm's son Will has returned from work already relaxed from a Christmas party. He allows Janice, Carla and Sam to make him up Ziggy-style. He also does a very good 'Bohemian Rhapsody' where he reads a book or juggles or both during the bits that don't have singing in them. Will is almost as loved as Norm. We love Norm.
10:45: 'Some Sort Of Hideous Grease Medley'. 'The Kids From Fame' we call them - about 12 in number [only two mics, remember] and not much older, pushed onto the stage by their pushy mums. They are dressed in leotards because they were at ballet class before. If the police were to walk in on this scene of underage burlesque, our feet wouldn't touch the ground. Good time for a piss, or if you prefer, a cigarette.
11:00: 'Wonderwall'. Shame you've just had that piss because this is another ideal opportunity. Words, there are not enough of you of sufficient length or description to successfully communicate to fellow humans the depth, breadth or tallness of my hatred for this song. At least Bill is doing it, so it is tons better than the original.
The Irish fella is back, this time with the wife, to apologise to Dave and anyone who'll listen - they are un-barred and their is much rejoicing.
Try not to do the same song twice - it will make you less bothered about getting it right or wrong as you'll have an excuse. Duets are fun, even funner if you stick a pin in the book and do whatever you hit. 'Staying Alive' is as near to impossible as you can get so take a run-up. We've all had a drink and we're all in it together so give respect to anyone who has a go. Oh, and unlike 'The X-Factor' it is all about the music.x.
*new word for either when three things are involved, run with it if you like.
No comments:
Post a Comment